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This new wave of bands included the The Peanuts Charlie Snoopy And Woodstock Wall Paint Ucf Knights Shirt it is in the first place but Doors, and Creedence Clearwater Revival and Jefferson Airplane, the Grateful Dead, Blue Cheer, Janis Joplin, eventually Chicago. In this environment the great bands of the mid-sixties either changed their sounds and often their line-ups (The Rolling Stones, the Byrds) or sort of became commercially obsolete (the Beach Boys and the Kinks: while both of them continued to make some hits, especially in the UK, their albums tended to be more personal, home-made smaller music that had little to do with the greater trends in music.) The Beatles remained popular, but not quite as unassailably as they had been. The Beatles considerable craft allowed them to make a few more absolutely iconic, earth-shaking singles, but the Get Back project was clearly an attempt at chasing the more rootsy rock sound which started dominating the rock scene in 1968 or so. Bands like The Band and other bluesy groups became very popular.; This was not a sound The Beatles were particularly well-suited for, though the sheer strength of their craft still made for good music. Since the markets in the US were effectively split at this time: AM stations, which played poppier stuff saw a rise of bands that were later known as Sunshine Pop and Bubblegum music. This music, the former based on the lush sounds of mid-sixties LA, the latter on the garage rock scene, sought to bring a sense of fun back to rock music, which by now was taking itself very seriously indeed: at the time, the hipster intellegentsia of the age, (which were then what they remain today: a bunch of goddamn idiots) dismissed this music, but it would prove influential in coming decades.

Jimi Hendrix was an American based in the The Peanuts Charlie Snoopy And Woodstock Wall Paint Ucf Knights Shirt it is in the first place but UK, and though his producer had been a member of the Animals, you would hardly call it “British Invasion.” At the same time British bands like Led Zeppelin and Cream, Deep Purple and others arose. These bands are not usually considered part of the British invasion and sound little like them : in fact, I see them as part of the same harder-edged scene as the California psychedelic bands. Rock had become truly global, though the UK and US markets had their differences: the influence of payola and the mafia can not be understated on this point. AT the same time, there was a sort of counter movement that contained basically one band: the Velvet Underground. While perhaps considered part of the same milieu as the psychedelic and hard blues bands elsewhere, they really were coming from an entirely different place: and nobody liked them, until later, when everybody liked them.

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